Editing!

Dear Thursday's Child Friends - 

Happy Spring - we hope you are all well and finding ways to navigate this strange world with health. 

We are working on the fine cut! Our team has gratefully welcomed two more folks who will help bring this project to completion.  Laquie T.N. Campbell  has joined our incredible editors Christy Denes and Maren Wickwire and Barb Odell has come on board to assist our producers. Barb was an essential part of the production in set stills, sound, and morale and we are glad she'll be with us until the end! 

In the next few weeks we'll be working hard on the fine cut and then picture lock. After that, color, sound, graphics, and much more will follow. We look forward to sharing more news along the way and are always so thankful to you for making this possible. 

With love,

The Thursday's Child team 

It's Been A Year

Dear Everyone!

Firstly, we are writing to wish you a happy and (most importantly) healthy New Year.

Secondly, we are writing with a profound apology for a lack of communication in the past months. Our pro-bono production/post-production team, like so many around the world, was deeply impacted by the global pandemic and after a smooth filming process (supported by incredible backers and volunteers!) we faltered hard with communication during post while income streams crashed, home schooling and child care juggles abounded, and income disappeared. Those challenges are not gone, but we have solved some of them.

Looking ahead: 

1. We are excited to report that we have completed a strong rough cut of the film. It needs more work, but our talented editors have showcased wonderful performances recorded sensitively by our incredible (and incredibly hardworking) camera and sound team. 

 2.  We now need to complete a fine cut and then to finish with sound, color, music, and graphics. 

3. We have to raise a little more money to do this, but we have some leads and expect that this summer we will be complete.

We will keep you posted (frequently!) and look forward to good news. We know that backing a creative project is an act of artistic faith and we are grateful for yours! 

Very warmly and gratefully - 

The Thursday's Child Team

A picture is worth 1,000 words and one in motion is priceless

We’ve been a little bit silent while we work to bring you and the world Thursday’s Child because we wanted to find just the right bit of footage to share. While there are so many stories to tell within this one film, we’ve picked some of our favorite footage and are making that public - all you have to do is click right here. So much more to come - but we hope you find it as exciting as we do! Special thanks to editor Christy Denes and songwriter Michael O’Briant.

Song: No Way Out
Music and lyrics by Michael O’Briant
Vocals, Rachel Drew
Acoustic Guitar, Rachel Drew
Band, Local ‘Shine

It's Been A Minute

Update from the Central African Republic in the midst of screenings for The Prosecutors, a film several of us on the Thursday's Child crew recently finished (the internet won't support photo posting here - but next time we'll double up!):

We are excited to be in the thick of post-production now and in the process of building the film scene-by-scene and take-by-take. Editing sees the building of the pacing and narrative and eventually, the addition of sound design. We will be experimenting with music and shaping how the color and texture of the film adds to the overall experience. 

For those who haven't yet - please check out our feed on Instagram, we'll be sharing preview of images and soon - a trailer. In the meantime, we're working on rewards and looking forward keep you updated. 

As always - thank you for your essential support!

#ThursdaysChildMovie
#FarToGo

The martini (and after)

Writing this from the backseat of a very crowded Subaru as we retrace our steps to Chicago. At the same time, actors and crew are making their way home via Albuquerque airport and other roads. After nine days of shooting and A LOT of coffee - we did it. In one intense two-day stretch of filming 22 pages and then 17, we wrapped production. Celebrations went on until late, and then it was time to head home and on to the next phase.

In the two weeks between drives we met incredible new friends and colleagues, visited and shot what seems like half of Moriarty, and were honored to experience local hospitality in so many ways. Of particular excitement for many of us was experiencing a crew that was led by women across almost all departments. Our incredible male allies all remarked that this was different than their normal experiences - and welcome! What we particularly liked about it was that young girls in Moriarty who have never seen filming now think women have a strong presence at the table. And as we know, if they can see it, they can be it.


Moriarty Middle School girls watching filming at Rookie’s Secondhand Shop

Moriarty Middle School girls watching filming at Rookie’s Secondhand Shop

We also blew past the limits of a micro-budget film, because our team always shoots for the stars. Of course after we called the martini (last) shot - our Director of Photography Wenting Fisher was shooting additional landscapes and our Sound Engineer Aldonza Contreras Castro was recording more sounds.

There are more stories to tell - but first we wanted to mark the end of this phase and the excitement of the one to come and thank all of you who have made it possible!

#FarToGo

Cast & Crew by Barb Odell at the Sunset Motel, Moriarty, New Mexico

Cast & Crew by Barb Odell at the Sunset Motel, Moriarty, New Mexico

One done!

It’s the end of our first week of shooting! We’ve had lots of sun and all kinds of hail and the most gorgeous sunsets you can imagine. We’ve thought deeply about what coming of age means and how you tell a universal story through the fictional lives of imagined characters. It’s been a chance to reflect on inequity around gender and to applaud how much has changed. It’s been an opportunity to collaborate with creatives from around the world and to consider why other film crews don’t have LOTS of women department heads along with great folks of male and other genders. And twice - we’ve had the gift of a rainbow.

We’ve got far to go - but we’ll get there. Thanks to all the help!

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Chasing daylight

And we’re off! Thanks to the support of all kinds of folks, Thursday’s Child just finished its first day of filming. Much more to share, but we wanted to let you know that this story is being told. Below, a glimpse of our newest cast member, Buelah. We were driving off into the sunset, several times, and she made it so stylish. The Drifters Car Club of Albuquerque brought this ride to us - and we’re grateful. Stay tuned for more behind the scenes updates in the coming days as we bring this picture to life. #FarToGo

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sights along the way

One of the obvious ways to save money (pending various costs and the number of folks in motion) when making a micro-budget movie is to drive your own car to the location. Once you arrive, you’ve got an insured vehicle, avoided airfare, bonded with crew, and seen some of the country.

On this trip, there’s been the added benefit of seeing some of how America‘s built environment evolved since 1959, the Cold War era in which we’ve set Thursday’s Child.

Upon hitting St. Louis, the Eero Saarinen designed Gateway Arch flashes by the highway - inspiring awe at the prowess and ego that mixed together to say, “let’s do this!” Completed in 1965, it echoes the passion that the pilots, mathematicians, physicists, and engineers who were determined to break the speed of sound and then gravity itself were throwing into pushing planes and rockets into the air at Edwards and all the other air and space bases in the West.

This glimpse of an elegant triumph was followed much later night by another example of American design - a motel. Weather and fatigue forced a quick reservation and equipment in the car ruled out a roadside nap. Because it was late, the fact that what looked online to be a perfectly fine and inexpensive motel was actually falling down and several steps towards filthy didn’t matter - sleep took over. But in the morning, stepping past beer cans and the other detritus of our neighbors’ partying, the full parking lot and families with kids made one thing clear. Our incredible talent and confidence in building things hasn’t translated to building the one thing everyone needs: a home, In places across Tulsa and the country, for more money than they can afford, but less than the cost of a home deposit, families and individuals trying to stay off the streets are camped out in motels that are just barely tolerable. They raise families and scramble to stay above water, all the while trying to figure out how a country that could rise out of the Great Depression, combat global fascism and the Holocaust, and send humans to the moon can’t quite engineer enough places for each American to lay their head at night.

As we packed up, the manager inspected our room before giving us back our deposit. I wondered how the mother and kids who might be moving in next would be able to secure theirs.

Far To Go

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